Philippine psychedelic rock is a history of the psychedelic rock music scene in the Philippines.
Philippine Psychedelic Rock: A History
Psychedelic rock is a style of rock music that is inspired or influenced by psychedelic culture, which is itself often inspired by Eastern mystical traditions. Philippine psychedelic rock is a subgenre of rock music that originated in the Philippines in the late 1960s.
Pre-History: The Birth of Philippine Rock & Roll (1950s-1960s)
The first recordings of what could be considered Philippine rock and roll were made in the 1950s. These were mostly covers of popular American or British rock and roll songs sung in Tagalog. In 1961, Daliri opus one became the first Filipino rock band to release an original composition, “Umawit ang Pilipino,” which is now considered a classic in Philippine music history.
The 1960s saw the rise of several more Filipino rock bands, most notably The Invaders and Ancient Sunrise. These bands would go on to influence subsequent generations of Filipino musicians with their unique blend of Western and Eastern influences.
By the end of the 1960s, Philippine rock and roll was still very much in its infancy. It would not be until the early 1970s that the genre would truly start to come into its own.
The First Wave of Philippine Psychedelic Rock (1960s-1970s)
The first wave of Philippine psychedelic rock coincided with the height of the country’s modernization program in the 1960s. It was characterized by the use of electric guitars and keyboards, and was often influenced by Western pop music and Filipino folk music. The most popular bands of this period were The Dawn, Hotdog,asi es la vida =)).
The Second Wave of Philippine Psychedelic Rock (1980s-2000s)
Philippine psychedelic rock, also known as Pinoy psychedelia, developed in the late 1960s and early 1970s. It reached its height of popularity in the Philippines during the Marcos era (1965-1986). The genre combines elements of Western psychedelic rock with traditional Filipino musical styles and instruments.
In the 1980s and 1990s, a new generation of Philippine psychedelic bands emerged, influenced by both the original Pinoy psychedelia movement and Western alternative rock. This second wave of Philippine psychedelic rock is sometimes referred to as “neo-psychedelia” or “post-psychedelia”.
Notable bands and artists from this era include The Dawn, Joey Ayala, Rey Valera, Gloc-9, Eraserheads, Brownman Revival, Parokya ni Edgar, Chicosci, Urbandub, Sponge Cola, and Moonstar88.
The Third Wave of Philippine Psychedelic Rock (2010s-present)
The Third Wave of Philippine Psychedelic Rock began in the early 2010s and is ongoing. characterized by a revival of interest inPsychedelic Rock music, both in the Philippines and internationally.
This wave is notable for its embrace of new technologies and social media, which has allowed Filipino Psychedelic Rock bands to gain a wider audience both at home and abroad.
Several factors have contributed to the resurgence of interest in Psychedelic Rock music in the Philippines, including the popularity of classic Filipino Psychedelic Rock bands such as Izanagi and Caviar, as well as the influence of Western Psychedelic Rock bands such as Tame Impala and The Brian Jonestown Massacre.
The Third Wave has also seen the rise of a new generation of Filipino Psychedelic Rock bands, such as Orange Sunshine, DownDenim, The Shady Dawgs, Dazeases, WYWYWYES, The Lovely Awkward Silence, The Psychotropics, and The Brown Acid. These bands are helping to keep the tradition of Philippine Psychedelic Rock alive and well into the 21st century.
The Influences of Philippine Psychedelic Rock
Philippine psychedelic rock, also known as Pinoy psychedelic rock, is a rock music genre that originated in the Philippines in the late 1960s. The genre is heavily influenced by Western psychedelic rock and garage rock. The first Philippine psychedelic rock band was the Dawn, which was formed in 1968.
Western Psychedelic Rock
Psychedelic rock, also sometimes known as garage rock, is a subgenre of rock music that emerged in the mid-1960s. The style is typified by a preoccupation with atmosphere and texture, as well as extended compositions inspired by Indian classical music. Psychedelic rock often employs flanging effects, echo effects, and mind-altering lyrics.
Psychedelic rock first became popular in the United States and the United Kingdom before gaining popularity in continental Europe and Japan. The genre saw a decline in popularity in the late 1970s but experienced something of a revival in the 1990s.
The Philippines has produced its own brand of psychedelic rock, influenced primarily by Western psychedelic rock bands such as The Beatles, The Doors, and Jimi Hendrix. Philippine psychedelic rock bands began to gain popularity in the late 1960s and early 1970s. Many of these bands blended Western psychedelic rock with traditional Filipino musical elements to create a unique sound.
Some of the most popular Philippine psychedelic rock bands include Hotdog, Sampaguita, Juan de la Cruz Band, Asin, Feet dialogue electronic Privacy information foundation Epoxyethane Andromeda Fair Ride MoonpoolElephant’s MemoryMoby GrapeCreamIggy Pop into Butterfinger Crisp Peanut Butter AardvarkPermian led Zeppelin Spiritual Beggars13th Floor ElevatorsPentagram (US)Flower Travellin’ BandSantanaUriah HeepAtomic RoosterMott the HoopleThe StoogesFowl Play MudhoneyIron ButterflyBang Rajan Buffalo SpringfieldProcol HarumThe MoveSpooky ToothDeathThe KinksPink FloydSoft MachineKate BushTame ImpalaHawkwindCaravan
Japanese Psychedelic Rock
Japanese Psychedelic Rock, also called Japanese garage rock, is a musical genre that started in the mid to late 1960s. It is closely related to Western psychedelic rock, but also incorporates elements of garage rock, hard rock, and folk music. The style is rarely performed outside of Japan and has been described as being “exuberantly amateurish”.
The earliest known Japanese band to play psychedelic rock was The Spiders, who formed in 1966. The group’s style was highly influenced by Westernpsychedelic groups such as The Doors and Jimi Hendrix Experience. They were also one of the first Japanese bands to use feedback and distortion on their guitars. Another early group was Balloon Farm, who formed in 1967 and released their only album, A Question of Temperature, the following year.
The first major wave of Japanese psychedelic rock occurred in the late 1960s and early 1970s with bands such as Acid Mothers Temple, Les Rallizes Dénudés, Far Out Corporation (later known as Fushitsusha), foodbrain,Happy End,High Rise,Kousokuya,Marquee Moon Shine (later known as Mainliner),Masonna ,MJQ ,Phew ,Ruppina ,Speed Glue & Shinki ,Syrian Arabic Music: Taj Mahal Travellers & White Heaven . These bands were often inspired by Western psychedelia as well as Eastern spiritual traditions such as Hinduism and Buddhism.
The second wave of Japanese psychedelic rock began in the late 1970s and early 1980s with groups such as Acidman, Almustakbal , Antidon’ts , Art-School ,Baumkuchen , Bow Wow Wow Wow (later known as Boom),Roppongi Shinjuu ,bysmal light orchestra :circle Jerks Delta Five Elfin Flipper’s Guitar Group Trip Conceptual Hang On Sloopy Inoue Makoto & Colored Water KIYOSHI YAMAMOTO BAND: La Suite du Kanashibari Mastica McAuley Schenker Group My Way My Love Neon Philharmonic Overhang Party: P-Model: Plastic Ono Band Plastics Protocol Real Estate Agent Rhythm&Blues Normal School Sigh Sharkeyobana Serial Parallels Skydog Super Junky Monkey Television Tokyo Ska Paradise Orchestra U.K. 49’s Vodka Collins Zuni Children . These bands moved away from the Western influence and incorporated more traditional Japanese instrumentation and aesthetics into their music.
Filipino Folk and Traditional Music
The early ’70s saw a newfound interest in Filipino folk and traditional music, which was subsequently felt in the psychedlic rock scene. Juan de la Cruz Band’s “Anak” (1972) became a hit not just locally but internationally, while bands like Asin began to experiment with traditional Filipino instruments like the kulintang in their music. This trend culminated in the founding of the Pinoy Psychedelic movement in the late ’70s, which would go on to produce some of the Philippines’ most iconic and influential bands.
The Legacy of Philippine Psychedelic Rock
Philippine psychedelic rock is a genre of rock music that originated in the Philippines in the late 1960s. The genre is a blend of Filipino rock, world music, and experimental rock. Philippine psychedelic rock is known for its unique sound, which is a mix of Western and Eastern influences. The genre has been influential to other genres of music, such as Filipino pop and indie rock.
The First Wave of Philippine Psychedelic Rock
The first wave of Philippine psychedelic rock began in the late 1960s with bands such as The Dawn, Juan de la Cruz Band, and Hotdog. These groups would go on to have successful careers in the Philippines and would later be cited as influences by some of the country’s most popular bands. The sound of Philippine psychedelic rock is often characterized by its use of guitars and keyboards to create a “trippy” sound, as well as its use of English lyrics.
The second wave of Philippine psychedelic rock began in the early 1990s with bands such as Stonefree Experience, Silserhedd, and Zoinist encrypting their music with drug-related themes and messages. These groups would go on to be some of the most popular acts in the Philippines during the 1990s. The popularity of Philippine psychedelic rock was resurgence in the early 2000s due new bands such as Poeticamassifusion carrying on the legacy of their predecessors.
The Second Wave of Philippine Psychedelic Rock
The Second Wave of Philippine Psychedelic Rock refers to the period of experimentation with drug-induced music and culture that emerged in the Philippines during the late 1960s and early 1970s. This period was characterized by a more overt focus on mind-altering substances, as well as a greater willingness to experiment with different musical styles. While the First Wave of Philippine Psychedelic Rock had been focused mostly on reinterpreting traditional Filipino folk music, the Second Wave saw artists begin to explore new sounds and influences from abroad.
One of the most famous Second Wave bands was Andrea Filipina, who blended traditional Filipino instrumentation with Western psychedelic rock influences. The band’s self-titled debut album, released in 1971, is considered one of the classic albums of the era. Other important Second Wave bands included Billy Barnum & The Wild Multitude, who released several successful singles; Bataan Death March, whose self-titled debut album remains a cult classic; and Manila Mayor’s Office’s Psychedelic Band, who were known for their unique style which blended elements of jazz, rock, and Filipino traditional music.
While the Second Wave did not last as long as the First Wave, it nevertheless left a lasting impact on Philippine music and culture. Many of the bands from this era went on to enjoy success in subsequent years, and their influence can still be heard in the work of contemporary Filipino musicians.
The Third Wave of Philippine Psychedelic Rock
The third wave of Philippine psychedelic rock began in the mid-2000s, led by a new generation of Filipino musicians. This wave is characterized by a return to the heavier, more experimental sound of the first wave, as well as a renewed interest in native Filipino musical traditions.
Among the most prominent bands of this third wave are Brown Moses, who fuse traditional Filipino instruments and rhythms with heavy psychedelic rock; Kjwan, who combine nu metal with Philippine folk music; and Xevera, who mix punk and metal with traditional kulintang music. These bands have been at the forefront of a new movement that is reviving Interest in Philippine psychedelic rock music.
Thanks to the Internet, this third wave of Philippine psychedelic rock has had a global reach, with many of these bands gaining international attention. In recent years, Philippine psychedelic rock has begun to gain recognition as one of the most exciting and innovative genres in Asia today.
Keyword: Philippine Psychedelic Rock: A History