Looking for the best new indie rock music? Check out our reviews – you won’t be disappointed!
The 1975- A Brief Inquiry Into Online Relationships
If you haven’t listened to The 1975 yet, you’re missing out on one of the best indie rock bands around. Their album, A Brief Inquiry Into Online Relationships, is a must-listen. It’s a concept album that explores the good and bad of our reliance on the internet, and it’s one of the most relatable albums out there.
The 1975’s third album is a brief inquiry into online relationships
The1975’s third album, A Brief Inquiry Into Online Relationships, is a masterful exploration of modern love and 21st century anxieties. The album is a beautiful tapestry of indie rock, synth-pop, and R&B that weaves together themes of technology, relationships, and self-doubt into a cohesive and deeply moving work of art.
Lead singer Matt Healy has said that the album is “about trying to understand yourself and others in the digital age,” and this is evident in the lyrics which often tackle the struggles of trying to connect with others in a world that is increasingly mediated by screens. The album’s standout tracks “Give Yourself a Try,” “Love It If We Made It,” “TOOTIMETOOTIMETOOTIME,” and “How to Draw / Petrichor” are all perfect examples of this, with Healy’s vulnerable and emotionally honest lyrics cutting straight to the heart of what it means to be alive in 2018.
A Brief Inquiry Into Online Relationships is undoubtedly one of the best albums of the year, and it’s sure to resonate with anyone who’s ever felt lost in the digital age. If you’re looking for an indie rock album that will make you feel all the feels, this is it.
The album reflects on the good and the bad of online interactions
The album reflects on the good and the bad of online interactions, and manages to be an introspective and personal record while also feeling universal. Healy has always been a candid lyricist, but never has he been so vulnerable as he is on this album. The production is top-notch, with Healy’s falsetto sounding as smooth as ever against the backdrop of ’80s-inspired synths and drum machines. It’s a winning formula, and one that results in some of the band’s best songs to date.
The album is a mix of synth-pop and rock that is both catchy and thought-provoking
The album is a mix of synth-pop and rock that is both catchy and thought-provoking. It has already been hailed as a classic by many critics, and it is easy to see why. The lyrics are intelligent and incisive, the music is catchy and accessible, and the production is top-notch. In short, this is an album that you need to hear.
Vampire Weekend- Father of the Bride
Father of the Bride, the fourth studio album by American indie rock band Vampire Weekend, is one of the most highly-anticipated releases of 2019. The album is a return to form for the band, who took a five-year break between the release of their last album, Modern Vampires of the City, and this one. Father of the Bride is a double album consisting of 18 songs, and it features a more diverse range of musical styles than any of the band’s previous albums.
The band’s first album in six years is a return to form
After a six-year hiatus, Vampire Weekend is back with their fourth studio album, Father of the Bride. The group’s first album since 2013’s Modern Vampires of the City, Father of the Bride is a return to form for the indie rockers.
The band has said that the new album was influenced by classic rock music, and it shows in the sound of the record. The songs are catchy and upbeat, with plenty of hooks to keep you coming back for more. While the lyrics are sometimes whimsical, they also touch on serious topics like fatherhood and relationships.
Standout tracks include “Harmony Hall,” “Sunflower,” and “This Life.” If you’re a fan of Vampire Weekend’s earlier work, or if you’re just looking for some fresh indie rock to check out, be sure to give Father of the Bride a listen.
The album is a mix of indie rock and pop that is both catchy and reflective
Father of the Bride, the first album in six years from Vampire Weekend, is a refreshing return to form for the indie-rock veterans. The 13-track double album is a mix of indie rock and pop that is both catchy and reflective, with frontman Ezra Koenig’s wry lyrics capturing the zeitgeist of our anxious times.
While there are several standout tracks, “This Life” is the clear standout, with its catchy hooks and anthemic chorus. “Unbearably White” is another excellent track that features some of Koenig’s best lyrics on the album (“I know I’ve been unbearably white/But I wanna sink into your skin”).
While Father of the Bride may not be as groundbreaking as Vampire Weekend’s debut album, it is a welcome return from a band that remains at the top of their game.
The album tackles themes of fatherhood, marriage, and growing up
On their first album in six years, Vampire Weekend have returned with a double album that sees the band take on new life experiences with the same ebullient energy and precociousness that defined their early work. The album tackles themes of fatherhood, marriage, and growing up, against a backdrop of wide-ranging influences that includes yacht rock, country- western, and Afrobeat. The result is an sprawling but cohesive work that is both intimate and ambitious, and confirms that Vampire Weekend are still one of the most innovative and exciting bands around.
Beach House- 7
Beach House is an American dream pop duo formed in 2004. The group consists of French-born Victoria Legrand and Baltimore-born Alex Scally. Their self-titled debut album, Beach House, was released on October 3, 2006, to critical acclaim. The album peaked at number 35 on the Billboard Heatseekers Albums chart.
Beach House’s seventh album is a return to their dream pop roots
Beach House’s seventh album is a return to their dream pop roots, with lush soundscapes and ethereal vocals. “Lemon Glow” and “Black Car” are standouts, but the entire album is worth a listen.
The album is atmospheric and ethereal, with a touch of darkness
Beach House’s latest album, 7, is their most synth-heavy and atmospheric release to date. The first single, “Lemon Glow”, is a hazy, dreamlike ode to summer evenings, while “Dark Spring” is a more ethereal and introspective track that echoes the band’s early work.
Fans of Beach House’s earlier work may find 7 to be a little bit lighter in tone, but the album is still suffused with the same melancholy beauty that has made the band one of the most beloved indie rock acts of the past decade.
The album is a perfect summer listen
If you’re looking for an album that’s the perfect summer listen, look no further than Beach House’s 7. The dream pop duo’s seventh studio album features 12 tracks of ethereal, atmospheric music that is sure to transport you to a sunny day by the beach. From the first track, “Dark Spring,” to the closing track, “L’Inconnue,” 7 is an album that is best enjoyed in its entirety. Trust us, you won’t be able to stop listening.
Bon Iver- i,i
If you need an album to help you through these tough times, look no further than Bon Iver’s i,i. This album is the perfect mix of sad and introspective lyrics with upbeat and catchy melodies. You can’t help but sing along to songs like “Hey, Ma” and “U (Man Like)” while you’re driving or doing chores around the house. And, if you’re feeling really down, “Remicaid” will definitely lift your spirits.
The fourth album from Bon Iver is a return to form
After a three-year break, Bon Iver is back with their fourth album, i,i. The album sees the band return to their indie rock roots, with a sound that is both familiar and new.
i,i is an album that is both introspective and uplifting, with lyrics that explore the human condition and the natural world. The album’s lead single, “Hey, Ma,” is a perfect example of this, with its lyrics about loss and grief set against a backdrop of gorgeous vocal harmonies and instrumentation.
other standout tracks on the album include “U (Man Like),” “We R Who We R,” and “Faith.” Overall, i,i is a welcome return to form for Bon Iver, and an essential listen for fans of indie rock music.
The album is a mix of indie folk and electronic that is both beautiful and haunting
Bon Iver’s fourth album, i,i, features the band experimenting with a more electronic sound while still maintaining the lush, intricate arrangements that made them one of the most acclaimed indie folk bands of the past decade. The result is an album that is both beautiful and haunting, with Justin Vernon’s deliberately Auto-Tuned vocals leading the way.
As with Bon Iver’s previous albums, i,i was written and recorded in Vernon’s home studio in Eau Claire, Wisconsin. The album features contributions from a number of collaborators, including members of The National, Arcade Fire, and Bruce Hornsby.
While i,i is a departure from Bon Iver’s earlier work, it is nonetheless a stunning achievement that confirms the band’s position as one of the most inventive and exciting groups working today.
The album tackles themes of love, loss, and hope
The album tackles themes of love, loss, and hope. The first track, “iMi”, is an upbeat track that talks about trying to find your place in the world. “We” is a ballad that talks about the ups and downs of a relationship. “U (Man Like)” is a slower track that deal with the struggles of daily life. “Naeem” is an energetic track about finding hope despite the odds. The album ends on a hopeful note with “RAIN.”
Keyword: Indie Rock Music Reviews You Can’t Miss